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The Materiality of Interaction: Notes on the Materials of Interaction Design. Mikael Wiberg

The-Materiality-of-Interaction.pdf
ISBN: 9780262037518 | 208 pages | 6 Mb

• The Materiality of Interaction: Notes on the Materials of Interaction Design
• Mikael Wiberg
• Page: 208
• Format: pdf, ePub, fb2, mobi
• ISBN: 9780262037518
• Publisher: MIT Press

Download The Materiality of Interaction: Notes on the Materials of Interaction Design

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The Materiality of Interaction: Notes on the Materials of Interaction Design by Mikael Wiberg A new approach to interaction design that moves beyond representation and metaphor to focus on the material manifestations of interaction. Smart watches, smart cars, the Internet of things, 3D printing: all signal a trend toward combining digital and analog materials in design. Interaction with these new hybrid forms is increasingly mediated through physical materials, and therefore interaction design is increasingly a material concern. In this book, Mikael Wiberg describes the shift in interaction design toward material interactions. He argues that the "material turn" in human-computer interaction has moved beyond a representation-driven paradigm, and he proposes "material-centered interaction design" as a new approach to interaction design and its materials. He calls for interaction design to abandon its narrow focus on what the computer can do and embrace a broader view of interaction design as a practice of imagining and designing interaction through material manifestations. A material-centered approach to interaction design enables a fundamental design method for working across digital, physical, and even immaterial materials in interaction design projects. Wiberg looks at the history of material configurations in computing and traces the shift from metaphors in the design of graphical user interfaces to materiality in tangible user interfaces. He examines interaction through a material lens; suggests a new method and foundation for interaction design that accepts the digital as a design material and focuses on interaction itself as the form being designed; considers design across substrates; introduces the idea of "interactive compositions"; and argues that the focus on materiality transcends any distinction between the physical and digital.

Intelligent Human Systems Integration: Proceedings of the 1st - Google Books Result
Waldemar Karwowski, Tareq Ahram - ‎2017 - Computers Sustainable interaction design
The paper proposes (i) a rubric for understanding the material effects of particularinteraction design cases in terms of forms of use, reuse, and disposal, .. Xiao Zhang , Ron Wakkary, Design analysis: understanding e-waste recycling by Generation Y, Proceedings of the 2011 Conference on Designing  The material move how materials matter in interaction design research
In this paper we further discuss the need for in-depth descriptions of specificdesign cases, by revisiting some of our own research-through-design efforts when working with new or not yet fully explored materials for mobile interaction. We outline a series of design challenges that we see commonly arising in  Mikael Wiberg - WordPress.com
International Advisory Board Member, Interaction Design & Architecture(s) Journal (IxD&A), (2011-present time). Editorial Advisor, Studies in Material Thinking (2015 – present time). Selection of recent publications. Wiberg, M. ( Forthcoming Feb 2018) The Materiality of Interaction – Notes on the Materials of  Digital form and materiality
Motivated by the notion of digital technology as a material for interaction design, this research aims to develop a theoretical foundation to create and critique digital artifacts in the context of interaction design and HCI research. Specifically we conceptualize digital form and materiality as two reciprocal  Form and materiality in interaction design: A new approach to HCI
The objective of this paper is to conceptualize what we mean by form in the context of interaction design and HCI research and how we can approach it in dimensions of form in interactive artifacts through the lens of three existing perspectives with their respective focus on: material, meaning, and making.

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